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Wiziack Media

Wire Volume: 3 Disclosures

Corporate Disclosures & Press Wire (3)

Drone Technology Offers a Safer Approach to High-Level External Cleaning
Liverpool - September 28, 2026··Uncategorized

Drone Technology Offers a Safer Approach to High-Level External Cleaning

Hydrafly, a company in the North of England, is using drone technology to clean large and hard-to-reach structures more safely and quickly than traditional methods. By employing high-pressure drones, the company can reduce the need for scaffolding and work at height, completing projects like warehouse cleaning in significantly less time. This approach offers a safer and less disruptive alternative for maintaining commercial and industrial buildings, potentially transforming how such tasks are ma

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Beyond Top Notes: Plant-Ex Introduces Layered 3D Flavouring Technology for Food Manufacturers
Bristol, United Kingdom - July 06, 2026··Uncategorized

Beyond Top Notes: Plant-Ex Introduces Layered 3D Flavouring Technology for Food Manufacturers

Plant-Ex Ingredients has introduced a new 3D Flavour System for food manufacturers, designed to create more authentic and layered flavour experiences. This technology combines various extracts and flavour components to enhance the depth and complexity of flavours, while supporting clean-label and provenance-led product positioning. The system aims to help manufacturers improve product performance and differentiation in a competitive market.

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“Reborn in Liverpool”: How a Brazilian Artist Found Her Voice in One of the UK’s Most Influential Cultural Cities
Liverpool, UK - February 20, 2026··Company News

“Reborn in Liverpool”: How a Brazilian Artist Found Her Voice in One of the UK’s Most Influential Cultural Cities

For visual artist Anne Wiziack, Liverpool was not just a place to settle after moving from Brazil in 2019 - it became the city where she finally allowed herself to exist fully as an artist. Born and raised in Brazil, Anne always knew she was an artist. Yet, like many creatives in countries facing economic instability, she was unable to see a sustainable future in the arts. “I was born as an artist,” she says, “but I couldn’t imagine a life where art could truly support me.” That changed when she

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